Sylvia Lynch was working on a collagraph/drypoint plate on aluminium (one plate) for a Little Red Riding Hood illustration. I only photographed the proof unfortunately but te subsequent prints were coming along nicely. The image on the right is a plate Sylvia made in a previous workshop which she was attempting to print again and improve on. Although it was a lovely plate she was strugglining with the lack of sufficient detail in either texture or line work to get e successful print but will be back for supported sessions to complete it.
These are Ann Bayliss's plates - the collagraph one and the drypoint one in progress. And finally, Neil Pont - applying ink to his drypoint plate followed by the first proof of his drypoint plate. It went through various other transformative stages after this proof and a print using both the collagraph plate with the drypoint plate. Again more work was done to the collagraph plate not recorded here.